Ben Pearce's "What I Might Do" is already a solid DJ weapon around the dancefloors and it is still growing. Now it has got even more gunpowder in the form of a few tremendous remixes
Harry Wolfman injects a bit of the old school into the original with a more jackin´, housed up version characterised by lazy sub bass, shuffly highs and a postmodern organ line which has become so synonymous within the new house sound prevalent in the UK scene at present.
Bonar Bradberry rounds things off with a cut aimed straight for the dancefloor with its driving low end and distorted tom-line. Creative use of the vocal and an ever evolving acid line work wonderfully together and give the track real drive and purpose.